Perfect Holiday
The sun is a big pan
With a prawn in it
Your bubblestorm smile
Relieves the heat
Of its redness
Oxygenated we sit
Unbalanced in dunes
When the solar hinges its web
Gold breathes of grey
Oiled acorn lids
Remind us
We smelled the pond’s grass
Where the blue hills are dying
Like a smashed glass vase
Under a watery tansy
Personal Mute Sufferings
Monday.
I’m a peel of skin about to rip
From deep-set pressures. The sky is waiting.
Freckle-coloured Ahamed Yacoubi wants to learn
The chromatic scale of my art.
The eye of Ahamed is all cheetah,
He’s tutoring a gingery technique;
Under dried-up stars we distinguish fine detail,
Moonlight spice on a brush.
Wednesday.
The last cloud died two days ago.
Catastrophe’s louring – he’s interned
Without the suspense of trial
(tempting a 14 year-old German Adonis)
Scuffles leap out, a real to-do.
Burroughs takes time out from The Naked Lunch,
Scribbles to Ginsberg,
“The Arab dogs are upon us.
Many a queen has been dragged shrieking
From the Parade, the Socco Chico,
And lodged in the local box
Where 60 sons of Sodom now languish.”
Thursday.
There’s a strain in bleached mortar,
Butterflies trembling in the dirt.
I’ll drag on nevertheless.
Bundling gifts of food and canvases
Past the prison-house commissionaire.
From the Francis Bacon Poems
Christopher Barnes in 1998 won a Northern Arts writers award. In July 200 he read at Waterstones
bookshop to promote the anthology Titles Are Bitches. Christmas 2001 he debuted at Newcastle's famous
Morden Tower doing a reading of his poems. Each year he read for Proudwords lesbian and gay writing festival
and he participated in workshops. 2005 saw the publication of his collection LOVEBITES published by Chanticleer
Press, 6/1 Jamaica Mews, Edinburgh. On Saturday 16th August 2003 he read at the Edinburgh Festival
as a Per Verse poet at LGBT Centre, Broughton St.
Email: Christopher Barnes
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